Everyday Horrors: Skeletons

copyright 2008 by Gary L. Pullman

Be honest! Would you feel a bit squeamish touching a human skull or handling a human skeleton? If you’re normal (which is to say, like most people), you’d find such an experience creepy, not delightful. In fact, if you enjoyed handling the bones of a dead person, you’d definitely be more than a little creepy yourself.

Ed Gein, the Plainfield, Wisconsin serial killer upon whose antics the characters of Norman Bates (Psycho), Leatherface (The Texas Chainsaw Massacre), and Buffalo Bill (Silence of the Lambs) are based, collected human skulls. He’d upend them, cut them in half, and, using the lower jaw as a stand of sorts, employ them as soup bowls. (He also fashioned a belt of female nipples, wore a bodysuit made of women’s flesh, wore a mask of female skin, and maintained a collection of women’s noses, among other artifacts of the graveyard, but that’s another story).

Ray Bradbury wrote an interesting little chiller about a character who was obsessessed with the idea that a skeleton inside him was just dying to get out.

Most of us find skeletons horrific because they are mementos mori, reminders of death. However, Dream Moods, an online dream dictionary, suggests that skeletons can symbolize other things, too:

To see a skeleton in your dream, [sic] represents something that is not fully developed. You may still in be the planning stages of some situation or project.

Alternatively, it may suggest that you need to get to the bottom of some matter. You need to stand up for yourself and your rights. To see someone depicted as a skeleton, signifies that your relationship with them [sic] is long dead.

Forensic scientists often turn to skeletons, when corpses are no longer available, in their attempts to solve crimes. For example, they can use the bones to determine whether the person of whom they were once a part was male or female. The male skull has a more prominent bony ridge over its eye sockets, and the female skeleton has wider hips. No, Genesis notwithstanding, female skeletons do not have one fewer rib than their male counterparts. Each has the same dozen pairs. Although the sex chromosomes determine the basic model, male or female, that the skeleton will follow, hormones are also determinants in the size and shape of the skeleton.

Testosterone causes the male model to grow longer and thicker bones and a narrower set of hips. This hormone is almost absent in the female skeleton, so it is typically shorter, more delicate, and has wider hips that give the skeleton a knock-kneed appearance. Other differences are subtler: the male skeleton has wider shoulders, a longer ribcage, and a pelvic girdle that facilitates walking and running.

According to “Male and Female Skeletons,” male and female skulls also exhibit a few differences. The former tends to be rugged and square-shaped, with bony ridges over the eye sockets; a larger, broader nose; and a bigger jaw, with larger teeth, whereas the latter is more often of lighter construction, having an oval or triangular shape; minimal bony ridges over the eye sockets; a higher, more vertical forehead; a smaller nose; smaller teeth; and a pointed chin.

Skeletons are strange enough in themselves, when you think of it, but some are stranger than others. One, found in Concepción, Chile, has no upper limbs, but its lower legs show what appear to be talons. The wildest guess as to the identity of the creature? It was supposed to have been an extraterrestrial! As it turns out, scientists identified it as the skeleton of (drum roll, please) a cat! (crashing cymbals).

Some strange skeletons are man-made, such as the “Fiji mermaid’s” skeleton that showman P. T. Barnum pieced together. It was part monkey and part fish, but Barnum passed it off as a siren such as those who harassed and tempted poor Odysseus. Another such skeleton, Live Science’s “Scientists Build 'Frankenstein' Neanderthal Skeleton” article explains, is one that anthropologists are assembling as “the first and only full-body reconstruction” of the Neanderthal “species.” The fossilized skeletal remains of two actual Neanderthals donated most of the bones for the project, the few missing bits and pieces coming from a half-dozen of their peers and a few lucky modern humans' skeletons. As a result of assembling their bony Frankenstein’s skeleton, the scientists learned a thing or two about Neanderthals that they hadn’t known before:

The biggest surprise by all means is that they have a rib cage radically different than a modern human's rib cage. . . . As we stood back, we noticed one interesting thing was that these are kind of a short, squat people. These guys had no waist at all--they were compact, dwarfy-like beings.

The anthropologists also confirmed the scientific belief that modern humans couldn’t have descended from their Neanderthal cousins: “There is no way that modern humans. . . could have evolved from a species like Neanderthal. . . . They're certainly a cousin--they're human--but they're one of those strange little offshoots.

One other fact that the scientists learned is that the Neanderthals were amazingly strong, despite their Hobbit-like appearance: “"If you shook hands with one, he would turn your hand to pulp."

Scientists believe that the discovery of dinosaurs by the ancients resulted in many of the legendary and mythical tales of fabulous and fantastic creatures, as the post on "How to Create Monstrous Monsters" explains. Such beasts are studied by cryptozoologists, whom no one appears to take seriously.

Occasionally, skeletons appear as antagonists in short stories and novels, including Perceval Landon’s “Thurnley Abbey” (1908), George MacDonald’s Lilith (1985), and Ray Bradbury’s “Skeleton” (1943).

Skeletons have been featured in fantasy movies such as The Seventh Voyage of Sinbad [1958], Jason and the Argonauts [1963], and The Mummy [1999]. A few horror movies also feature skeletons (House on Haunted Hill [1959], The Horror of Party Beach [1964], Return of the Living Dead [1985], A Nightmare on Elm Street 3: Dream Warriors [1987], Army of Darkness [1993], Skeleton Warriors [1993], and Skeleton Man [2005].)

“Everyday Horrors: Skeletons” is part of a series of “everyday horrors” that will be featured in Chillers and Thrillers: The Fiction of Fear. These “everyday horrors” continue, in many cases, to appear in horror fiction, literary, cinematographic, and otherwise.

A History of Hell, Part I

copyright 2008 by Gary L. Pullman

In their exhaustive survey of human civilization, historian Will Durant and his wife Ariel introduce many topics, including some that touch upon matters of interest to the writer of horror fiction, such as hell. This post provides a brief summary of the points that Will Durant (not yet joined in his venture by his wife) makes concerning this rather otherworldly theme in Volume II, The Life of Greece, of The Story of Civilization.

• According to Greek myth, once they’d died and taken up residence in Hades, kings became judges of the dead.


• Tantalus was damned to Hades by Zeus for a series of offenses which includes having stolen the drink and the food of the gods, nectar and ambrosia , respectively, and attempting to serve his own son, Pelops, boiled and sliced, to the gods. His punishments fit his crimes. Forced to stand forever in a lake, the water drew back from him whenever he tried to slake his thirst and the fruits growing from the vines over his head retreated from his grasp. Moreover, a boulder, suspended above him, threatened at any moment to fall upon him.
  
• One of Hercules’ twelve labors was to descend into Hades and rescue Theseus and Ascalaphus from the torment that these heroes suffered there. In some ways, Hercules is a forerunner to Christ, for he “is the beloved son of a god who suffers for mankind, raises the dead to life, descends into Hades, and then ascends into heaven.”


• Men can enter Hades through a land of eternal darkness that forms a sort of vestibule to the underworld. Using this gateway, Odysseus entered Hades, where he conversed with the shades of Agamemnon, Achilles, and his mother. Hades, or “Hell,” could be also be reached “through southern Epirus,” by way of “the river Acheron,” which “flowed. . . amid ravines so dark and deep that Greek poets spoke of it as the portal or very scene of Hell.”


• Zeus’ brother Pluto ruled Hades. He once complained to his brother that the god Asclepius cured so many of the sick that the underworld wasn’t being populated as well as it once had been, whereupon, lest the gods be inconvenienced by a population explosion among mortals, Zeus slew Asclepius with a thunderbolt.


• According to the Durants, Pythagoras taught that, following the death of the body, “the soul undergoes a period of purgation in Hades; then it returns to earth and enters a new body in a chain of transmigration that can be ended only by a completely virtuous life.”


• Pluto’s kidnapping of Persephone and his later agreement to allow her to split her time between Hades and earth is understood to represent “the annual death and rebirth of the soil.”


• The gods of the underworld were “the most terrible” and were not so much worshiped as appeased.


• According to the hymns and rituals associated with the hero Orpheus, after death, the soul, as a shade, is judged in Hades, after which, depending upon the tradition consulted, the shade undergoes eternal punishment; the transmigrated soul of the dead is reborn repeatedly until it attains moral perfection, whereupon it is admitted to the Isles of the Blessed; or the dead or his friends may gain his release from punishment by performing acts of penance.


• Although notions of an abode for the blessed dead appeared in Greek myth, mention of such places--the Isle of the Blessed Dead or the Elysian Fields--were relatively rare and those who enjoyed their existence in them were few; the bast majority of the departed lived a shadowy existence as wanderers within the gloomy subterranean world of Hades, where the guilty suffered and the others merely existed as shadows of their former, earthly selves.


• Socrates planned to continue his earthly mission as a gadfly in Hades, questioning the dead to see which, if any, of the shades had attained wisdom and helping to enlighten those who, even in death, remained foolish and ignorant.

What can we learn from this part of the survey of the ideas of the afterlife and the underworlds? We see that the ancient Greek idea of Hades, as the abode of the dead, included both judgment and punishment. The themes of purgation and reincarnation are part of the Greek concept of the hereafter. The deities of the underworld may have been the precursors to Jewish and Christian demons, the fierce, feared denizens of the pit. Atonement as a means of righting a wrong is seen in Zeus’ transformation of Orpheus’ lyre into a constellation to expiate the wrong done to Orpheus. In Orphic hymns and rituals, ideas such as eternal punishment, or hell, reincarnation and the transmigration of the soul, and purgatory and the selling of indulgences all have predecessors or parallels to similar doctrines of Christianity, Buddhism, and Hinduism. It seems that, in Greek myth, people, in death, are pretty much the same way as they were in life. Socrates, a gadfly during his living days, intends to be one in Hades as well, testing the wisdom of the shades therein. Jewish, Christian, Norse, and perhaps even Eastern religious concepts of the afterlife, of posthumous judgment, of hell as a place of torment, of purgatory, of atonement, of resurrection, of heaven, and the afterlife seem to stem, in part, from the Greek conceptions of these states and places.