Sunday, March 16, 2008

A Dictionary of the Paranormal, the Supernatural, and the Otherworldly (D - F)


copyright 2008 by Gary L. Pullman

Note: Unless otherwise noted, definitions are courtesy of dictionary.die.net, an Internet dictionary in the public domain.
D

Daniken, Erich von--author of Chariot of the Gods and other books which allege that the ancient or prehistoric earth was visited by extraterrestrials who may have manipulated human evolution (the author).

Déjà vu--the experience of thinking that a new situation had occurred before.

Demon--one of the evil spirits of traditional Jewish and Christian belief.

Deport--an object that vanishes during a séance (the author).

Determinism--a philosophical doctrine holding that all events are inevitable consequences of antecedent sufficient causes; often understood as denying the possibility of free will

Dianetics--the psuedo-scientific doctrine that engrams (traces on protoplasm caused by stimuli) cause mental problems that can be cured by the elimination of such traces from one’s “bank” of such engrams (the author).

Dinosaur

Dinosaurs, surviving--the belief that dinosaurs survive in some remote parts of the world (the author).

Divination--prophecy (or the pretense of prophecy) by supernatural means.

Divine, encounters with the--the belief that people have encountered God or angels and may again encounter them, either face to face or through messengers or other media (the author).

Divine fallacy--an argument from incredulity that posits God as the author of inexplicable phenomena (the author).

Dixon, Jeanne--(1918-1997) an astrologer and self-proclaimed psychic witch.

Double-blind test--a test in which the controls (standards of comparison) are unknown to both researcher and subject (the author).

Dowsing--searching for underground water or minerals by using a dowsing rod.

Doyle, Sir Arthur Conan and Cottingley fairy photographs--Sir Arthur Conan Doyle, author of the Sherlock Holmes stories, believed that photographs of cutout cardboard fairies posed by the Cottingley girls were real beings (the author).

Dreams, interpreting--the interpretation and explanation of dream images according to philosophical, theological, psychological, or some other system (the author).

Dreams, prophetic--the foretelling of future events through dreams (the author).

Druid--a pre-Christian priest among the Celts of ancient Gaul and Britain and Ireland.

Dryad--a deity or nymph of the woods.

Dualism--the doctrine that reality consists of two basic opposing elements, often taken to be mind and matter (or mind and body), or good and evil.

E

Earth, flat--the belief that the Earth is flat.

Earth, Flat Earth Society--an English organization that endorses and promotes the view that the Earth is flat and challenges the belief in a spherical Earth (the author).

Earth, hollow--the belief that the Earth is hollow and houses the lost tribes of Israel and/or extraterrestrial aliens (the author).

Ectoplasm--in spiritualism, the substance supposed to emanate from the body of the medium during a trance.

Electromagnetic field--a space occupied energy derived from ions; some claim that such a field indicates the presence of ghosts (the author).

Electronic voice phenomenon--tape-recorded messages of sounds taken during the investigation of an alleged haunting that were nit heard on the scene and resemble human voices and are used as evidence for the existence of ghosts (the author).

Elf--in folklore, fairies that are somewhat mischievous.

Enfield poltergeist--an alleged haunting of a London residence by poltergeists (the author).

Empiricism--the doctrine that knowledge derives from experience.

Energy--the capacity of a physical system to do work; the units of energy are joules or ergs; "energy can take a wide variety of forms."

Enneagram--a pseudo-psychological test that identifies personality types according to nine ego-archetype patterns, as (1) reformers, critics, and perfectionists, (2) helpers, givers, and caretakers, (3) achievers, performers, and succeeders, (4) romantics, individuals, and artists, (5) observers, thinkers, and investigators, (6) loyalists, devil’s advocates, and defenders, (7) enthusiasts, adventurers, and sensationalists, (8) leaders, protectors, and challengers, and (9) mediators, peacemakers, and preservationists (Wikipedia).


Evil eyes for sale

Evil Eye--a look that is believed to have the power of inflicting harm.

Exorcism--freeing from evil spirits; dispossession.

Extrasensory perception (ESP)--apparent power to perceive things that are not present to the senses; clairvoyance; second sight.

F

Face on Mars--Martian rock formations which, from space, resemble a human face and which are, for some, evidence of the past or present occupation of the planet by intelligent life (the author).

Fairy--small, human in form, playful, having magical powers.

Fakir--a Muslim or Hindu mendicant monk who is regarded as a holy man.

False analogy--a set of similarities between two items that are neither strong enough nor numerous enough to warrant the conclusion that one derives from them (the author).

False dilemma--the error in reasoning that occurs when a person does not consider all possible alternatives or outcomes; also known as the either-or fallacy (the author).

False memory--a fantasy thought to be a true memory or an actual memory that is distorted in recall (the author).

Familiar--a spirit (usually in animal form) that acts as an assistant to a witch or wizard.

Fata Morgana--a mirage or other optical illusion, such as the reflection of a city in the sky, caused by a temperature inversion; named for Arthurian sorceress Morgan Le Fay; the phenomenon may explain the legend of the Flying Dutchman and some UFO sightings (the author).


The girls to whom the Virgin Mary appeared at Fatima

Fatima--Fatima, Portugal, is the site at which the Virgin Mary reportedly appeared in a vision to three children, delivering a prophecy concerning the reality of hell; a second, believed to refer to World War I and World War II, and a controversial third, the meaning of which is still debated (the author).

Feng shui--a system by which natural energies are balanced in specific environments to maximize their benefits (the author).

Fetish--a charm superstitiously believed to embody magical powers.

Feral children--children allegedly reared by wolves or other wild animals (the author).
Fire walking--the ability to walk over live coals, hot stones, or fire, as a test of one’s faith (the author).

Flying Dutchman--a ghost ship condemned to forever sail the sea; the Fata Morgana may explain this supposed apparition (the author).

Flying saucer (unidentified flying object, UFO)--an (apparently) flying object whose nature is unknown; especially those considered to have extraterrestrial origins.

Foo fighter--UFO’s described, usually as a ball or ball of light, seen by fighter pilots during World War II (the author).

Ford, Arthur hoax--American psychic who claims to have channeled messages from a spirit guide named Fletcher concerning the deceased magician Harry Houdini, which were subsequently proven to have been fraudulent (the author).

Fort, Charles--a collector of anecdotes concerning bizarre and inexplicable phenomena, such as rains of toads or blood (the author).

Fortean Society--an American organization, founded by Tiffany Thayer and various writers, including Theodore Dreiser, Booth Tarkington, Ben Hecht, Alexander Woolcott, Dorothy Parker, and H. L. Mencken, to promotes the theories and views of Charles Fort (Wikipedia)

Fortean Times--a British magazine published monthly to promote the theories and views of Charles Fort; its “general content” includes “general Forteana, anomalous phenomena, apparitions, bizarre deaths, conspiracy theories, crop circles, crypto zoology, cults and would-be messiahs, fringe science, hoaxes, mutants (animal and human), parapsychology, religious phenomena (stigmata, appearances and simulacra and miracles. . . ), natural simulacra, UFOs, [and] urban legends” (Wikipedia).

Fortune telling--divination by various means (the author).

Fox, Kate and Maggie--sisters who claimed to be victims of poltergeist activity who later confessed to perpetuating a hoax that, ironically (or maybe not so ironically) helped to establish the credibility of spiritualists’ claims and of spiritualism in general (the author).

Francis of Assisi, St.--Roman Catholic saint who could supposedly levitate and communicate with animals; according to legends, he actually preached to birds (the author).

Frankenstein--novel by Mary Shelley (the author) in which an alchemist assembles a monster from parts of corpses and brings it to life with electricity (the author).

Freemason (Mason)--a member of an international secret society, the Free and Accepted Masons (the author).

Freud, Sigmund--founder of psychoanalysis, dream analysis, and related psychological views which are no longer generally recognized as valid (the author).

A Dictionary of the Paranormal, the Supernatural, and the Otherworldly (A - C)

copyright 2008 by Gary L. Pullman


Note: Unless otherwise noted, definitions are courtesy of dictionary.die.net, an Internet dictionary in the public domain.


A



The Alchemist

Abracadabra--A mystical word or collocation of letters. . . . worn on an amulet. It was supposed to ward off fever. At present the word is used chiefly in jest to denote something without meaning; jargon.

Abominable Snowman (Bigfoot, Sasquatch, Yeti)--a large hairy humanoid creature said to live in the Himalayas.

Acupuncture--The insertion of needles into the living tissues for remedial purposes.

Ad hoc hypothesis--an interpretation of facts that explains away evidence that contradicts a favored idea or belief (the author).

Akashic record--a spiritual or incorporeal plane upon which all knowledge is stored (the author).

Alchemy--An imaginary art which aimed to transmute the baser metals into gold, to find the panacea, or universal remedy for diseases, etc. It led the way to modern chemistry.
Alien (Extraterrestrial Biological Entities, EBEs)--a form of life assumed to exist outside the Earth or its atmosphere.

Allopathy--That system of medical practice which aims to combat disease by the use of remedies which produce effects different from those produced by the special disease treated; -- a term invented by Hahnemann to designate the ordinary practice, as opposed to homeopathy.

Alpha wave--the normal brainwave in the electroencephalogram of a person who is awake but relaxed; occurs with a frequency of 8-12 hertz.

Altered state of consciousness--a trance or trance-like state of mind (the author)

Amityville (New York) haunting--a hoax; the Lutz family, owners of a Dutch Colonial house in Amityville, NY, claimed their residence was haunted; prior to their purchase and residence in the house, Ronald DeFeo, Jr., killed six of his family members in the same house (the author).

Amulet--An ornament, gem, or scroll, or a package containing a relic, etc., worn as a charm or preservative against evils or mischief, such as diseases and witchcraft, and generally inscribed with mystic forms or characters.

Angel--spiritual being attendant upon God.

Animal ghost--the ghost of an animal.

Animism--the doctrine that all natural objects and the universe itself have souls.

Anomaly--deviation from the normal or common order or form or rule.

Appeal to authority fallacy: the idea or belief that the credibility or authority of an expert is sufficient cause to accept the claims of an argument (the author).

Apollo--Greek god of light; god of prophesy and poetry and music and healing; son of Zeus and Leto; twin brother of Artemis.

Apparition--the appearance of a ghostlike figure.

Apport--the transference of an article from an unknown source, to you, or another place by unknown means (Wikipedia).

Argo--The name of the ship which carried Jason and his fifty-four companions to Colchis, in quest of the Golden Fleece.

Argonaut--one of the heroes who sailed with Jason on the Argo in search of the Golden Fleece

Argument from design (teleological argument)--the argument that the order the universe and the inetraction of its myriad parts necessitates the belief in God as a ominscient and omnipotent designer (the author).

Argument from incredulity--see "Divine fallacy."

Artemis--the virgin goddess of the hunt and the moon; daughter of Leto and twin sister of Apollo; identified with Roman Diana.

Astarte--a Phoenician goddess; counterpart of Ashtoreth and Ishtar.

Astral plane--an otherworldly plane of existence or one in a parallel dimension (the author).

Astral projection--the spiritual body’s travel from the physical body (the author).

Astronauts, ancient--extraterrestrial visitors to earth (sometimes mistaken for gods) during prehistoric times to manipulate or control human evolution or culture (the author).

Aura--a distinctive but intangible quality surrounding a person or thing.

Aural hallucination--hearing things (that aren’t there) (the author).

Autism--an abnormal absorption with the self; marked by communication disorders and short attention span and inability to treat others as people.

Autokinetic effect--the apparent movement of a stationary light in an otherwise dark environment (the author).

Automatic writing--writing produced without conscious thought; often considered a means of channeling (the author).

B

Baal--any of numerous local fertility and nature deities worshipped by ancient Semitic peoples; the Hebrews considered Baal a false god.

Backward Satanic messages--supposedly diabolical communications created by backmasking (the author).

Ball lightning


Ball lightning--a rare form of lightning sometimes seen as a globe of fire moving from the clouds to the earth.

Banshee--In Irish folklore, a female spirit who wails to warn of impending death.

Begging the question--circular reasoning (the author).

“Believe It Or Not” strip--a comic strip in which the artist-writer Robert Ripley recounted strange and mysterious incidents and recorded odd facts and trivia.

Benzene molecule--a ring-shaped chemical molecule the structure of which was perceived by Friedrich August Kekulé, a German chemist, during a dream in which he saw a snake biting its own tail (the author),

Bermuda Triangle--an area in the western Atlantic Ocean where many ships and planes are spposed to have been mysteriously lost.

Bible Code--information patterns said to exist in encrypted or coded form in the text of the Bible, or, more specifically, in the Hebrew Torah, the first five books of Old Testament (Wikipedia).

Biorhythm--a hypothetical cycle in physiological, emotional, or intellectual well-being or prowess (Wikipedia).

Blavatsky, Madame Helene Petrovna--founder of the Theosophy Society (the author).

Book of shadows--a witch's personal collection of spells and incantations (the author).

Brainwashing--forcible indoctrination into a new set of attitudes and beliefs.

C

Cardiff giant--a hoax perpetuated by P. T. Barnum in which it was claimed that a giant “petrified man” had been dug up on Cardiff, NY, by laborers digging a well (the author); this alleged giant is the basis of “A Ghost Story” by Mark Twain (the author).

Cartomancy--the art of telling fortunes with cards.

Castenada, Carlos--a Peruvian mystic (the author).

Cayce, Edgar--an American psychic who claimed to channel messages from the dead concerning health, reincarnation, Atlantis, and other matters (the author).

Cattle mutilation--the evisceration of cattle, often on isolated farms, allegedly by extraterrestrials, presumably for research purposes (the author).

Celestine Prophecy--a 1993 novel by James Redfield which discusses various psychological and spiritual ideas which are rooted in many ancient Eastern Traditions (Wikipedia) .

Centaur--a mythical being that is half man and half horse.

Cerberus--three-headed dog guarding the entrance to Hades; son of Typhon.

Chakra--a anatomical energy center (the author).

Channeling--opening oneself as a medium for the receipt of messages from spirits, often during séances (the author).

Chariot of the Gods--book by Erich von Daniken in which the author claims ancient humans were visited by extraterrestrial beings (ancient astronauts) (the author).

Chemtrail--gaseous trails released by aircraft; they are believed to consist of dangerous, but unidentified, chemicals sprayed by the government as part of a nationwide (possibly worldwide) clandestine mission (the author).

Chiropractic--a method of treatment that manipulates body structures (especially the spine) to relieve low back pain or even headache or high blood pressure.

Chopra, Deepak--Indian mystic and author who influenced the New Thought movement in America and elsewhere (the author).

Christ, foreskin of--a holy relic.

Chupacabra--a legendary beast that roams North, Central, and South America, attacking goats and other animals, from which it sucks blood; also known as a “goatsucker” (the author).

Close Encounters of the Second Kind (CE2)--an observation of a UFO and associated physical effects (heat, radiation, damaged terrain, human paralysis, frightened animals, interference with engines or TV or radio reception, and/or crop circles found in the vicinity of the UFO (Wikipedia).

Close Encounters of the Third Kind (CE3)--an observation of. . . “animate beings” in association with a UFO sighting (Wikipedia).

Coelacanth--a supposedly extinct fish caught (several times) by Japanese fishermen and others (the author).

Cold reading--a medium or other’s use of people’s innate need and tendency to make sense of experiences by imposing order and cause upon otherwise random or seemingly random incidents as a means by which to ascertain information and to seem credible as fortunetellers or others who are adept in the use of allegedly paranormal or supernatural abilities (the author).

Collective hallucination (mass hallucination)--the same hallucination, shared by several (often many) people (the author).

Conspiracy theory--the belief that many individuals or organizations are involved in an attempt to conceal evidence, mislead the public, discredit individuals, secure power, promote a hidden agenda, or otherwise extend influence and socio-economic and political power over the unsuspecting masses (the author).

Cosmobiology--the metaphysical study of the universe; the astronomical study of the universe (the author).

Course in Miracles, A--a book that Helen Schucman (1909-1981) claims was dictated to her by Jesus Christ (the author).

Crop circle

Crop circle--geometrical patterns cut into the crops or grass of a field, allegedly by extraterrestrials, possibly as messages or navigational aids; some have been revealed as elaborate hoaxes (the author).

Crowley, Aleister--author of several books of occult mysticism, including Magick in Theory and Practice and The Book of the Law (the author).

Cryptomnesia--forgotten or repressed memories (the author).

Cryptozoology--the study of legendary, mythical, or unknown animals (the author).

Crystal skull--skulls carved in quartz or other stone and sometimes alleged to be endowed with magical powers of various kinds (the author).

Cult--adherents of an exclusive system of religious beliefs and practices.

Cupping--a treatment in which evacuated cups are applied to the skin to draw blood through the surface.

Curse--an evil spell.

Cyclops--In Greek mythology, one of a race of giants having a single eye in the middle of their forehead.

Everyday Horrors: Bureaucrats

copyright 2008 by Gary L. Pullman


Come on, come on, come on, now, touch me, babe.
Can’t you see that I am not afraid?

-- The Doors

Caution: The Yuck Factor of this paragraph is 8.8 on a scale of 10! A couple of years back, upon visiting a restroom at a fast-food restaurant, I witnessed an employee exit a toilet stall. He didn’t so much as pause at the sink on his way out. Sure enough, I saw him behind the counter, in the food preparation area, and I promptly notified his manger, who was chewing him out (but should have fired him on the spot) as I left, making a mental note never to frequent this establishment again.

In public restrooms, we put paper sanitary shields on toilet seats before using the commode (although we’re not sure how effective a barrier to germs a thin layer of paper really is) and most of us use a paper towel as a makeshift glove before turning the door handle to let ourselves out of the facility (although we’re not sure how effective a barrier to germs a thin layer of paper really is).

Caution: The Yuck Factor of this paragraph is 9.8 on a scale of 10! The ladies among Chillers and Thrillers' vast audience of readers and writers may not realize this, as most of them are unlikely to have entered many men’s rooms, especially when men have been present within these rooms, but many men do not wash their hands after urinating! They simply walk past the waiting sinks as if neither these fixtures, hand soap, nor paper towels are there. (Fortunately, with a few exceptions, such as the one mentioned in the first paragraph, men do wash their hands after performing the other restroom task.) What’s frightening about men with poor hygiene habits is that not washing one’s hands after urinating is a known transmission route for hepatitis, a particularly nasty disease. (Mothers, do us all a favor, and teach your boys to wash up after using the toilet or the urinal, please!)

We are all victims of systems beyond our control.

-- The Jefferson Airplane

In more innocent days, we used to believe that the government (a) cared about us, (b) was looking out for our welfare, and (c) is competent. We’ve since learned the truth that the government (a) cares only about our tax dollars, (b) is looking out for its own welfare, and (c) is incompetent. In the old days, the government sometimes subjected its citizens to bizarre medical or scientific studies, as when, during the Tuskegee Experiment, black American males who’d become infected with syphilis went untreated so that doctors could study the progress of disease--up to the point, at least, that it killed the subjects.

Now, as far as anyone knows, the government isn’t seeking our death and destruction by any such active neglect (except by its refusal to protect and defend its own borders, which may be creating a resurgence of diseases that the medical establishment once had on the ropes).

The government's incompetence and indifference to its responsibilities causes many significant and dangerous problems, such as the possible infection of 40,000 patients of a handful of medical clinics in Las Vegas, Reno, and Henderson, Nevada, in which medical personnel reused syringes while administering anesthetics to endoscopic and other patients. It turns out that, in many cases, the Clark County Health Department may have been remiss in inspecting these facilities. A lawsuit is in the works, but cash awards and prison time for the doctors and nurses (if, indeed, any are punished in such a fashion) is little comfort to someone who may have been given hepatitis B, hepatitis C, or HIV along with their joy juice.

Science fiction and horror writers have warned readers of the amoral and immoral conduct of government officials and mad scientists for years, but many have supposed such fictional accounts of human greed, sloth, and the other so-called deadly sins inherent in such behavior to have been purely imaginary. Such indifference, arrogance, and greed might provide fodder for suspenseful fiction, many thought, but the U. S. of A. is not, and never will be, Nazi Germany. Americans, in government offices and in scientific laboratories, have morals. They are principled. They have consciences. Doctors even swear to “do no harm.” The terrors unleashed in Mary Shelley’s Frankenstein, in Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, in H. G. Wells’ The Food of the Gods or The Island of Dr. Moreau, in Robin Cook’s Coma, in Stephen King’s Firestarter and The Stand, in Robert McCammon’s Swan Song, in Douglas Preston’s and Lincoln Child’s Mount Dragon, in James Rollins’ Amazonia, and the many other novels devoted to bureaucratic and scientific insanity and malice couldn’t happen here, not in America.
In most cases, of course, this is true, if for no other reason than that these novels, for the most part, depict terrors and horrors that remain beyond the possibility of science and technology.

For the moment, at least.


“Everyday Horrors: Bureaucrats” is part of a series of “everyday horrors” that will be featured on Chillers and Thrillers: The Fiction of Fear. These “everyday horrors” continue, in many cases, to appear in horror fiction, literary, cinematographic, and otherwise.

Saturday, March 15, 2008

Everyday Horrors: Castles and Hotels


copyright 2008 by Gary L. Pullman

Gothic romance is a product of the European imagination and of the European landscape. Horace Walpole’s Castle of Otranto (1764) was one of the earliest novels to combine elements of horror with elements of literary romance. (The novel may be downloaded free from Project Gutenberg.) Other important Gothic romances include The History of the Caliph Vathek (1786) by William Beckford, The Mysteries of Udolpho (1794) by Ann Radcliffe, The Monk (1796) by Gregory Lewis, Wieland (1798) by Charles Brockden Brown, Frankenstein (1818) by Mary Shelley, Melmouth the Wanderer (1820) by Charles Robert Maturin, Carmilla (1872) by Sheridan le Fanu, Dracula (1897) by Bram Stoker, and Gormenghast (1946-1959) by Mervyn Peake. Many of these books are set in gloomy castles in which supernatural incidents occur.

Occasionally, the castles in such novels are modeled upon, in part, at least, actual castles, and the one in Peake’s novels, Gormenghast, is comprised of a mixture of features from various actual castles as well as cities, mansions, and universities: its walls are like those of Normal castles and those of ancient Chinese cities, while the buildings resemble those of Gothic and Regency mansions and English country houses. The professors’ living quarters and the courtyards within Gormenghast are similar to those at Oxford and Cambridge.


Bran Castle (Dracula's Castle)

In other instances, the castles are based upon a single actual fortress. Frankenstein’s castle is modeled upon eighteenth-century Lord Konrad Dippel Von Frankenstein’s residence near the small village of Muhltal, not far from Darmstadt, Germany, and Dracula’s residence, is derived from Bran Castle (now a museum), which stands near Bran, Romania, on the Transylvania-Wallachia border.


Castle Frankenstein


Because of their antiquity, the privileged lives of the nobles who dwelled within their walls, the horrible punishments endured in their dungeons, their remote locations, and their vast, dark and dank interiors, many castles are said to be haunted, including, in England alone, Arundle Castle (Sussex), Bamburgh Castle (Northumberland), Berkeley Castle (Berkeley Gloucestershire), Berry Pomeroy Castle (Berry Pomeroy Devon), Bramber Castle (West Sussex), Castle Rising (Castle Rising, Norfolk), Chillingham Castle (Northumberland), Corby Castle (Cumbria), Corfe Castle (Wareham Dorset), Dacre Castle (Cumbria), Dunstanburgh Castle (Northumberland), Dunster Castle (Somerset), Featherstone Castle (Northumberland), Hever Castle (Kent), Lowther Castle (Cumbria), Morton Corbet Castle (Shropshire), Muncaster Castle (Cumbria), Okehampton Castle (Devon), Pevensey Castle (Sussex), Pontefract Castle (West Yorkshire), Raby Castle (County Durham), Tamworth Castle (Tamworth, Staffordshire), Tintagel Castle (Tintagel Cornwall), Tower of London, Warkworth Castle (Northumberland), and Windsor Castle (Berkshire). Castles in Ireland, Scotland, Wales, and mainland Europe are also said to be haunted. For example, Windsor Castle, built by William the Conqueror to “guard the western approaches to the capital,” is believed to be haunted by several ghosts, among them Queen Elizabeth I, who favors the library and a boy’s ghost, who favors the chapel. The grounds and nearby forest are also rumored to be haunted, the former by a band of interlopers, the latter by King Richard II’s favorite huntsman, Herne the Hunter. Likewise, the Tower of London, which was also built by William the Conqueror, as were many other English castles, is reportedly haunted by the ghosts of Saint Thomas a Becket, the murdered sons of King Edward IV, Anne Boleyn, one of King Henry XIII’s wives, Catherine Howard, Sir Walter Raleigh, and many commoners who were tortured and executed in the Tower’s dungeons and torture chambers.

Oddly, the castles in the United States (yes, there are several, in addition to the Hearst Castle in San Simeon, California) seem quiet and restful in comparison to their European counterparts.

1600 Pennsylvania Avenue

The White House is said to be haunted, though, by no less illustrious a ghost than that of its former occupant, President Abraham Lincoln. In yet another example of our tax dollars at work, the official White House website shares videos in which staff members relate stories of their encounters with Lincoln’s ghost.

Stanley Hotel, Estes Park, Colorado

Despite the availability of American castles, Stephen King has preferred to locate some of his more contemporary ghost stories in hotels. The action of The Shining takes place in the Overlook Hotel, which is based upon the Stanley Hotel in Estes Park, Colorado. The movie 1408, based upon King’s short story of the same title, which appeared in Everything’s Eventual (2002) used exterior shots of the Roosevelt Hotel in New York City to depict the exterior of the film’s Dolphin Hotel and shots of a London hotel’s lobby to depict the Dolphin Hotel‘s lobby, but the short story was inspired by stories of parapsychologist Christopher Chacon’s investigation of a supposedly haunted room in the famous San Diego, California, inn, Hotel Del Coronado. In America, where everyone’s a king or queen, hotels seem the logical--or, at least, the democratic--alternative to castles and manor houses for traveling or long-term guests of the ghostly variety.

“Everyday Horrors: Castles and Hotels” is part of a series of “everyday horrors” that will be featured on Chillers and Thrillers: The Fiction of Fear. These “everyday horrors” continue, in many cases, to appear in horror fiction, literary, cinematographic, and otherwise.

Friday, March 14, 2008

Download Free Stories

In an earlier post, we supplied links to specific pages of a website from which you can download free, full-length motion pictures in a variety of genres, including, of course, horror. Now, because we're looking out for you, we're sharing a website at which you can download free short stories, most of which are in the sci fi, fantasy, and horror genres. Here's the link.

Everyday Horrors: Mummies

copyright 2008 by Gary L. Pullman


Mummies appear in Edgar Allan Poe’s short story, “Some Words with a Mummy” (1845); in several horror novels, including Anne Rice’s The Mummy, or Ramses the Dead (1991) and Douglas Preston and Lincoln Child’s Book of the Dead (2007); in such movies as The Mummy (1932), The Mummy’s Hand (1949), The Mummy’s Tomb (1942), The Mummy’s Ghost (1944), The Curse of the Mummy’s Tomb (1964), The Mummy’s Shroud (1966), Blood from the Mummy’s Tomb (1971), The Mummy Lives (1993), The Mummy (1999), and The Mummy Returns (2001); and in episodes in television series, such as Buffy the Vampire Slayer’s “Inca Mummy Girl” and “Life Serial.”

Mummies--preserved corpses from whom internal organs have been removed and preserved in jars--have been found in many countries, including Chile, China, Egypt, India, and Italy (Sicily and Vatican City), Pakistan, Persia, Peru, and Russia.

When most people think of mummies (which we do all the time, right?), they tend to think of Egyptian mummies. The corpses of important people, usually pharaohs, were deliberately mummified by the ancient Egyptians so as to ensure that the resurrected ka (personality) and ba (life force) had a home in which to live. Were the body not preserved, these vital aspects of the deceased’s soul would be homeless vagrants, doomed to wander the earth.


To mummify a mummy, the internal organs, except for the heart, were removed and stored in canopic jars, or carved and painted funerary urns. These jars were made in the images of four of the Egyptians’ gods, each of whom, it was believed, guarded the organ that the jar in its likeness contained. The man-headed Imsety guarded the liver, the baboon-headed Hapi protected the lungs, the jackal-headed Duamutef looked after the stomach, and the falcon-headed Qebehsenuef watched over the intestines. The heart was left inside the body because it was believed to be the repository of the soul. The brain was relatively unimportant (by ancient Egyptians’ standards), for it was believed only to be the organ that supplied mucus. Therefore, it was smashed and extracted through the nostrils using a hook.



To preserve the body, salts were used to dry and preserve the corpse’s flesh and tissues, and the remains were covered in natron to assist in the dehydration and preservation. The body was then wrapped in linen strips to further protect it, and amulets were provided to ward off threats and other evils. As a finishing touch, the mummy was equipped with false eyes. The tomb was furnished and decorated, and the mouth was opened so that the resurrected body could eat and speak. The mummy was then laid to rest inside a sarcophagus within the burial chamber of its pyramid. The walls of the tomb were inscribed with incantations from the Book of the Dead that the resurrected mummy could chant to gain access to the upper world.

Mummies became merchandise. Ground into powder, they were sold as medicines, paints, and even fertilizer. Mark Twain claimed that mummies were also used as locomotive fuel, although this contention has never been substantiated. The linen in which mummies were wrapped may have been used, during the American Civil War, as a source for paper.

Often, mummies are associated with curses. These curses were often plot vehicles for horror movies. When a grave robber broke into a pyramid to steal a mummy or the jewels with which such corpses were often buried so that the resurrected pharaoh would have a little spending money in the afterlife, the curse was activated, causing much suffering, death, and destruction.


“Everyday Horrors: Mummies” is part of a series of “everyday horrors” that will be featured on Chillers and Thrillers: The Fiction of Fear. These “everyday horrors” continue, in many cases, to appear in horror fiction, literary, cinematographic, and otherwise.

Monday, March 10, 2008

Everyday Horrors: Plants


copyright 2008 by Gary L. Pullman

Plants are our friends. Without them, we wouldn’t be able to breathe--or eat. Only they can convert carbon dioxide and water into chemical energy (sugars and starch) using ultraviolet energy (sunlight). Without them, all animal, including human, life would die. Actually, without them, there would be no life to live or die.

Plants themselves, in fact, are food. Their ripened ovaries are hard to beat when one craves a sweet and succulent treat. Plants are also the source of hundreds of products that we sometimes take for granted, but, without which, we wouldn’t live nearly as well as we’re accustomed to do: paper, lumber, fabrics, fuel, medicines, plastics, dyes, soaps, paints, shampoos, perfumes, and a host of others. Without plants, men wouldn’t be able to bribe women into forgiving them or put them in the mood for romance with the gift of a dozen roses or a bouquet of flowers, either, and, of course, gardens would be rather colorless affairs.

So, what’s so horrible about plants?

Like people, many are good eggs, but, to torture a metaphor, there are a few bad apples among them as well. In most cases, the horrible plants are poisonous. Some are horrible for other reasons, though.



Let’s start with the poisonous ones. According to Live Science, the “Top 10 Poisonous Plants,” in descending order, are:

10. Narcissus
9. Rhododendron
8. Ficus
7. Oleander
6. Chrysanthemum
5. Anthurium
4. Lily-of-the-valley
3. Hydrangea
2. Foxglove
1. Wisteria

In no particular order, for pets, these are the five deadliest plants:

  • Azalea
  • Castor bean plant
  • Lily
  • Oleander
  • Sago palm

The stinging tree is an interesting plant. Indigenous to tropical rainforests, it has thick, hair-like structures on its leaves and stems that, when brushed against, deliver a painful sting. The tips of the leaves and stems penetrate the skin, in which they break off, releasing a poisonous irritant, the effect of which may last for months. There’s no antidote. However, stick insects, weevils, chrisom lid beetles, and even opossums enjoy the taste of them.

In horror fiction, plants can be dangerous--or even deadly--even when they’re not poisonous. In Dean Koontz’s The Taking, demons use a hellish fungus to help to prepare the earth for conquest. In Stephen King’s “The Lonesome Death Of Jordy Verril” segment of Creepshow, an extraterrestrial fertilizer, delivered by the courtesy of a meteorite, causes an alien fungus to overrun everything--and everyone--in its past, Jordy Verril (played by King himself) included. In Seed People, alien seeds turn humans into zombies. The campy Attack of the Killer Tomatoes (1978) has mutated tomatoes turning into mad killers.

As “Man-eating Plants”points out out, no carnivorous plant is large enough to threaten humans. These plants’ largest victim, according to this article, was a rat that, dead, was found, partially digested, inside a pitcher plant. However, “Man-eating Plants” suggests that the legends of such plants as the one in Little Shop of Horrors might have been inspired by an actual plant, the Amorphophallus titanum, or corpse flower, which is definitely not recommended for milady’s (or yours) bridal bouquet:

Amorphophallus titanum, which is said to be the biggest, smelliest flower in the world, looks like something that could eat a human being. When it blooms it can reach at height over nine feet in height and smells like a mixture of rotting flesh and excrement. . . .

. . . Although the Amorphophallus titanum looks a lot like you would imagine a man-eating plant to look like, and it even smells like somebody is dead inside, it is not carnivorous.

As horrible as man-eating plants might be (were they to exist), intelligent plants might be even more appalling. For a long time, scientists maintained that animals are not able to reason, and philosophers have always excluded them from such abilities, defining humans alone as “thinking reeds” or res cogitans. If animals were to be denied anything more than sentience, plants certainly weren’t likely to be considered potential Nobel laureates any time soon.

However, this bias may be changing. If Professor Stefano Mancuso has anything to say about the issue, it may not be long before plants are his tenured colleagues. He operates the International Laboratory of Plant Neurobiology (LINV) near Florence, Italy, where he hopes to demonstrate that plants are not only intelligent, but are also capable of solving problems. According to Mancuso, “If you define intelligence as the capacity to solve problems, plants have a lot to teach us. Not only are they ‘smart’ in how they grow, adapt and thrive, [but] they [also] do it without neuroses. Intelligence isn't only about having a brain.”

According to “Smarty Plants: Inside the World’s Only Plant-Intelligence Lab,” the laboratory is exploring a variety of research topics: “In addition to studies on the effects of music on vineyards, the center's researchers have also published papers on gravity sensing, plant synapses and long-distance signal transmission in trees.”

Plants have been found to be able to distinguish between siblings and strangers, and, perhaps as xenophobic as people, among them, sap apparently is thicker than water. According to Live Science’s “Plants Recognize Siblings”: “Plants can recognize when they are potted with their siblings or with strangers. . . . When strangers share a pot, they develop a competitive streak, but siblings are more considerate of each other.”

In science fiction, plants have demonstrated intelligence for years. As far back as Dante and Virgil, humans dreamed of communing with greenery. However, the desirability of doing so, at least as far as William Hope Hodgson is concerned, might be questionable. In “The Lands of Lonesomeness” chapter of his novel, The Boats of Glen Caring, “evil trees are prone to wrap their branches round the unwary traveller,” and “human souls are somehow sucked into the trees and then beckon for more to join them.”

Intelligent plants also betray evil designs on humans in Murray Leinster’s “Proxima Centauri,” Clark Ashton Smith’s “Seedling of Mars,” and Raymond Z. Gallun’s “Seeds of the Dusk.” Bizarre, threatening plants also appear in H. G. Wells’ short story, “The Flowering of the Strange Orchid.”


Until the discovery of the euglena, scientists believed that there was a hard and fast differences between plants and animals. The main difference was that the former could photosynthesize, while the latter could not. The discovery of the euglena changed this view. Like animals, they can move under their own power, by means of a flailing flagellum, engulf and ingest food using a “phagotrophic. . . apparatus,” “sense light using a red pigmented eyespot,” and change color to match their red or green environment. The euglena also has chloroplasts that enable it to do what only plants can do--photosynthesize. So is it a plant or an animal? Neither--and both. It’s a euglena!

Swamp Thing could be the lowly euglena, writ large. He’s a humanoid vegetable or, if one prefers, a vegetative humanoid, who lives in a swamp and, in the 1982 movie named for him, dated Adrienne Barbeau (a. k. a. Alice Cable).

There’s something else eerie about plants. They’re quiet. They loom. They seem to wait, if not to lurk. They appear to be biding their time, awaiting their chance. To do what? We don’t want to know. What may go on inside those leafy branches and green stems? We don’t even want to guess. Plants are so different from us that, in their majestic, grand silence and their seeming indifference to us, they seem, at times, as when the wind is in the treetops, to whisper of plans that may be not as cool and green and comforting as their stoic postures suggest they are.

If science fiction and horror stories featuring plant-monsters teach us anything worthwhile, it’s to listen to Mom and eat our vegetables--before they eat us!

“Everyday Horrors: Plants” is part of a series of “everyday horrors” that will be featured on Chillers and Thrillers: The Fiction of Fear. These “everyday horrors” continue, in many cases, to appear in horror fiction, literary, cinematographic, and otherwise.

Paranormal vs. Supernatural: What’s the Diff?

Copyright 2009 by Gary L. Pullman

Sometimes, in demonstrating how to brainstorm about an essay topic, selecting horror movies, I ask students to name the titles of as many such movies as spring to mind (seldom a difficult feat for them, as the genre remains quite popular among young adults). Then, I ask them to identify the monster, or threat--the antagonist, to use the proper terminology--that appears in each of the films they have named. Again, this is usually a quick and easy task. Finally, I ask them to group the films’ adversaries into one of three possible categories: natural, paranormal, or supernatural. This is where the fun begins.

It’s a simple enough matter, usually, to identify the threats which fall under the “natural” label, especially after I supply my students with the scientific definition of “nature”: everything that exists as either matter or energy (which are, of course, the same thing, in different forms--in other words, the universe itself. The supernatural is anything which falls outside, or is beyond, the universe: God, angels, demons, and the like, if they exist. Mad scientists, mutant cannibals (and just plain cannibals), serial killers, and such are examples of natural threats. So far, so simple.

What about borderline creatures, though? Are vampires, werewolves, and zombies, for example, natural or supernatural? And what about Freddy Krueger? In fact, what does the word “paranormal” mean, anyway? If the universe is nature and anything outside or beyond the universe is supernatural, where does the paranormal fit into the scheme of things?

According to the Online Etymology Dictionary, the word “paranormal,” formed of the prefix “para,” meaning alongside, and “normal,” meaning “conforming to common standards, usual,” was coined in 1920. The American Heritage Dictionary defines “paranormal” to mean “beyond the range of normal experience or scientific explanation.” In other words, the paranormal is not supernatural--it is not outside or beyond the universe; it is natural, but, at the present, at least, inexplicable, which is to say that science cannot yet explain its nature. The same dictionary offers, as examples of paranormal phenomena, telepathy and “a medium’s paranormal powers.”

Wikipedia offers a few other examples of such phenomena or of paranormal sciences, including the percentages of the American population which, according to a Gallup poll, believes in each phenomenon, shown here in parentheses: psychic or spiritual healing (54), extrasensory perception (ESP) (50), ghosts (42), demons (41), extraterrestrials (33), clairvoyance and prophecy (32), communication with the dead (28), astrology (28), witchcraft (26), reincarnation (25), and channeling (15); 36 percent believe in telepathy.

As can be seen from this list, which includes demons, ghosts, and witches along with psychics and extraterrestrials, there is a confusion as to which phenomena and which individuals belong to the paranormal and which belong to the supernatural categories. This confusion, I believe, results from the scientism of our age, which makes it fashionable for people who fancy themselves intelligent and educated to dismiss whatever cannot be explained scientifically or, if such phenomena cannot be entirely rejected, to classify them as as-yet inexplicable natural phenomena. That way, the existence of a supernatural realm need not be admitted or even entertained. Scientists tend to be materialists, believing that the real consists only of the twofold unity of matter and energy, not dualists who believe that there is both the material (matter and energy) and the spiritual, or supernatural. If so, everything that was once regarded as having been supernatural will be regarded (if it cannot be dismissed) as paranormal and, maybe, if and when it is explained by science, as natural. Indeed, Sigmund Freud sought to explain even God as but a natural--and in Freud’s opinion, an obsolete--phenomenon.

Meanwhile, among skeptics, there is an ongoing campaign to eliminate the paranormal by explaining them as products of ignorance, misunderstanding, or deceit. Ridicule is also a tactic that skeptics sometimes employ in this campaign. For example, The Skeptics’ Dictionary contends that the perception of some “events” as being of a paranormal nature may be attributed to “ignorance or magical thinking.” The dictionary is equally suspicious of each individual phenomenon or “paranormal science” as well. Concerning psychics’ alleged ability to discern future events, for example, The Skeptic’s Dictionary quotes Jay Leno (“How come you never see a headline like 'Psychic Wins Lottery'?”), following with a number of similar observations:

Psychics don't rely on psychics to warn them of impending disasters. Psychics don't predict their own deaths or diseases. They go to the dentist like the rest of us. They're as surprised and disturbed as the rest of us when they have to call a plumber or an electrician to fix some defect at home. Their planes are delayed without their being able to anticipate the delays. If they want to know something about Abraham Lincoln, they go to the library; they don't try to talk to Abe's spirit. In short, psychics live by the known laws of nature except when they are playing the psychic game with people.
In An Encyclopedia of Claims, Frauds, and Hoaxes of the Occult and Supernatural, James Randi, a magician who exercises a skeptical attitude toward all things alleged to be paranormal or supernatural, takes issue with the notion of such phenomena as well, often employing the same arguments and rhetorical strategies as The Skeptic’s Dictionary.

In short, the difference between the paranormal and the supernatural lies in whether one is a materialist, believing in only the existence of matter and energy, or a dualist, believing in the existence of both matter and energy and spirit. If one maintains a belief in the reality of the spiritual, he or she will classify such entities as angels, demons, ghosts, gods, vampires, and other threats of a spiritual nature as supernatural, rather than paranormal, phenomena. He or she may also include witches (because, although they are human, they are empowered by the devil, who is himself a supernatural entity) and other natural threats that are energized, so to speak, by a power that transcends nature and is, as such, outside or beyond the universe. Otherwise, one is likely to reject the supernatural as a category altogether, identifying every inexplicable phenomenon as paranormal, whether it is dark matter or a teenage werewolf. Indeed, some scientists dedicate at least part of their time to debunking allegedly paranormal phenomena, explaining what natural conditions or processes may explain them, as the author of The Serpent and the Rainbow explains the creation of zombies by voodoo priests.

Based upon my recent reading of Tzvetan Todorov's The Fantastic: A Structural Approach to the Fantastic, I add the following addendum to this essay.

According to Todorov:

The fantastic. . . lasts only as long as a certain hesitation [in deciding] whether or not what they [the reader and the protagonist] perceive derives from "reality" as it exists in the common opinion. . . . If he [the reader] decides that the laws of reality remain intact and permit an explanation of the phenomena described, we can say that the work belongs to the another genre [than the fantastic]: the uncanny. If, on the contrary, he decides that new laws of nature must be entertained to account for the phenomena, we enter the genre of the marvelous (The Fantastic: A Structural Approach to a Literary Genre, 41).
Todorov further differentiates these two categories by characterizing the uncanny as “the supernatural explained” and the marvelous as “the supernatural accepted” (41-42).

Interestingly, the prejudice against even the possibility of the supernatural’s existence which is implicit in the designation of natural versus paranormal phenomena, which excludes any consideration of the supernatural, suggests that there are no marvelous phenomena; instead, there can be only the uncanny. Consequently, for those who subscribe to this view, the fantastic itself no longer exists in this scheme, for the fantastic depends, as Todorov points out, upon the tension of indecision concerning to which category an incident belongs, the natural or the supernatural. The paranormal is understood, by those who posit it, in lieu of the supernatural, as the natural as yet unexplained.

And now, back to a fate worse than death: grading students’ papers.

My Cup of Blood

Anyone who becomes an aficionado of anything tends, eventually, to develop criteria for elements or features of the person, place, or thing of whom or which he or she has become enamored. Horror fiction--admittedly not everyone’s cuppa blood--is no different (okay, maybe it’s a little different): it, too, appeals to different fans, each for reasons of his or her own. Of course, in general, book reviews, the flyleaves of novels, and movie trailers suggest what many, maybe even most, readers of a particular type of fiction enjoy, but, right here, right now, I’m talking more specifically--one might say, even more eccentrically. In other words, I’m talking what I happen to like, without assuming (assuming makes an “ass” of “u” and “me”) that you also like the same. It’s entirely possible that you will; on the other hand, it’s entirely likely that you won’t.

Anyway, this is what I happen to like in horror fiction:

Small-town settings in which I get to know the townspeople, both the good, the bad, and the ugly. For this reason alone, I’m a sucker for most of Stephen King’s novels. Most of them, from 'Salem's Lot to Under the Dome, are set in small towns that are peopled by the good, the bad, and the ugly. Part of the appeal here, granted, is the sense of community that such settings entail.

Isolated settings, such as caves, desert wastelands, islands, mountaintops, space, swamps, where characters are cut off from civilization and culture and must survive and thrive or die on their own, without assistance, by their wits and other personal resources. Many are the examples of such novels and screenplays, but Alien, The Shining, The Descent, Desperation, and The Island of Dr. Moreau, are some of the ones that come readily to mind.

Total institutions as settings. Camps, hospitals, military installations, nursing homes, prisons, resorts, spaceships, and other worlds unto themselves are examples of such settings, and Sleepaway Camp, Coma, The Green Mile, and Aliens are some of the novels or films that take place in such settings.

Anecdotal scenes--in other words, short scenes that showcase a character--usually, an unusual, even eccentric, character. Both Dean Koontz and the dynamic duo, Douglas Preston and Lincoln Child, excel at this, so I keep reading their series (although Koontz’s canine companions frequently--indeed, almost always--annoy, as does his relentless optimism).

Atmosphere, mood, and tone. Here, King is king, but so is Bentley Little. In the use of description to terrorize and horrify, both are masters of the craft.

A bit of erotica (okay, okay, sex--are you satisfied?), often of the unusual variety. Sex sells, and, yes, sex whets my reader’s appetite. Bentley Little is the go-to guy for this spicy ingredient, although Koontz has done a bit of seasoning with this spice, too, in such novels as Lightning and Demon Seed (and, some say, Hung).

Believable characters. Stephen King, Douglas Preston and Lincoln Child, and Dan Simmons are great at creating characters that stick to readers’ ribs.

Innovation. Bram Stoker demonstrates it, especially in his short story “Dracula’s Guest,” as does H. P. Lovecraft, Edgar Allan Poe, Shirley Jackson, and a host of other, mostly classical, horror novelists and short story writers. For an example, check out my post on Stoker’s story, which is a real stoker, to be sure. Stephen King shows innovation, too, in ‘Salem’s Lot, The Shining, It, and other novels. One might even argue that Dean Koontz’s something-for-everyone, cross-genre writing is innovative; he seems to have been one of the first, if not the first, to pen such tales.

Technique. Check out Frank Peretti’s use of maps and his allusions to the senses in Monster; my post on this very topic is worth a look, if I do say so myself, which, of course, I do. Opening chapters that accomplish a multitude of narrative purposes (not usually all at once, but successively) are attractive, too, and Douglas Preston and Lincoln Child are as good as anyone, and better than many, at this art.

A connective universe--a mythos, if you will, such as both H. P. Lovecraft and Stephen King, and, to a lesser extent, Dean Koontz, Bentley Little, and even Douglas Preston and Lincoln Child have created through the use of recurring settings, characters, themes, and other elements of fiction.

A lack of pretentiousness. Dean Koontz has it, as do Douglas Preston and Lincoln Child, Bentley Little, and (to some extent, although he has become condescending and self-indulgent of late, Stephen King); unfortunately, both Dan Simmons and Robert McCammon have become too self-important in their later works, Simmons almost to the point of becoming unreadable. Come on, people, you’re writing about monsters--you should be humble.

Longevity. Writers who have been around for a while usually get better, Stephen King, Dan Simmons, and Robert McCammon excepted.

Pacing. Neither too fast nor too slow. Dean Koontz is good, maybe the best, here, of contemporary horror writers.


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