Copyright 2020 by Gary L. Pullman
Although
it would be ludicrous to suggest that a story could follow a “Z”
plot, the concept is, nevertheless, a good reminder that thrillers
and chillers should move from one action scene to another at a fairly
fast pace.
What
is a “Z” plot? It's an imaginary sequence of action that is on
the fact that, in English, readers read from left to right and from
top to bottom. In other words, their eyes, in reading, trace the
figure of a “Z.” Sometimes the stem (the diagonal line connecting
the upper and the lower arms of the “S”) is shorter; other times,
longer, than typical, depending on the length of the paragraph the
combined sentences of which make up the stem of the letter. For
example, a short paragraph produces a short stem; a long paragraph, a
long stem:
Think
of the paragraph as representing a scene. Each point at the beginning
or the end of the arm of the “Z” represents a point of possible
change. Perhaps the first point would be to establish
the setting, while the second point would be to introduce
the
protagonist. At the third point, maybe you would contrast
two
supporting characters. The fourth point might be that at which you
relocate
the main character. These four points, regardless of the length of
the scene (represented, in the “Z” plot by a paragraph), would
make up the entire scene. However, the next scene, with its four
points, would provide opportunities for additional, perhaps different
(depending on the scene's purpose), plot changes, such as changing
the pace
of the story (with a longer or a shorter scene), using dialogue
between tow or more characters to inform
the reader of necessary background material, having circumstances or
an incident impede
the
protagonist, and arranging for the antagonist to confront
the protagonist (or vice versa). The next scenes would, likewise,
present opportunities, at each of their four points, to change the
plot again, again, again, and again.
Besides
the actions indicated above, writers can use these points of the “Z”
plot to heighten
suspense, bolster
the
protagonist (or the antagonist) with reinforcements or assistants,
capture
a
character, have a character escape,
pursue a
character, bring about a character's return
home
or to an earlier point of departure, characterize
a
character, have a character learn
something
important, or change a character's attitude, beliefs, feelings,
perspective, or values.
Although
the structure of your story's your plot, in reality, is unlikely to
resemble a “Z,” helping to think of the progress of the action in
such a manner could help you to remember to change the course of
action frequently not only throughout the story as a whole, but also
during each and every one of its scenes. As a result, it's unlikely
your readers will become bored; in fact, they should be as excited as
hell!
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